On the anniversary of Mospeada’s TV premiere, we take a look at the unusual production history behind one of the more iconic shows to come out of the gunpla boom.
On the anniversary of Mospeada’s TV premiere, we take a look at the unusual production history behind one of the more iconic shows to come out of the gunpla boom.
The 1992 ARTMIC OVA Genesis Surviver Gaiarth was not the most impressive series produced by the beloved design studio, but it certainly has its fans. It also never received a proper artbook released for it, but at least now we’ve got digitized copies of the original setting materials.
A look at legendary animator and director Hideaki Anno’s involvement with the Mobile Suit Gundam series.
Shipped overseas and repackaged in the ’70s and ’80s, the Japanese concept of “giant robots” has become a global phenomenon, the stuff of Hollywood films, video games, TV shows, and more. But back then, as much now, the art of big robots has bore witness to a range of global contributions, influences, and shared inspiration.
While Gundam is everywhere today, for most of the ’80s and ’90s it was up to Western anime fans to carry the torch of Gundam through fanzines, magazine articles, and newsgroups.
A cult classic in the schlock n’ gore OVA genre, Genocyber took an unlikely road from pitch to production.
Before Macross sequels hit video shelves and airwaves, Shoji Kawamori’s Stampede Valkyrie was one of a handful of rarely seen and now mostly forgotten designs created for Macross side-projects.
Hidden within AnimEigo’s beloved Super Dimension Fortress Macross DVD Boxset lies a candid conversation with series director Noboru Ishiguro. However, the stories shared by (and of) the late director leave a greater impression than just the simple tale of a hidden commentary.
In the midst of the rushed pre-production process on the third Gundam TV series a last-minute design change created one of the more interesting production footnotes in Gundam history.
The gunpla boom of the early ’80s saw an explosion of interest in mecha modeling and provided unprecedented opportunities for a group of model enthusiasts that dubbed themselves “Stream•Base.”