Bigger and better than our earlier efforts, this one is all about the design studio behind Mospeada and Bubblegum Crisis.

Bigger and better than our earlier efforts, this one is all about the design studio behind Mospeada and Bubblegum Crisis.
During the heyday of Crisis, a number of full-sized Hard Suits were made and used to promote the series. Some of these ended up in the fans of fans in the early 2000s.
While not the last ARTMIC OVA, it feels like the end of an era.
Drawing from their experience in TV anime, 3D photo stories, and other media, ARTMIC created rich OVAs that, more often than not, shared familiar thematic elements along with a consistently recognizable visual style.
At the tail end of the gunpla boom, Bandai’s enthusiast publishing and garage kit division, B-Club, unleashed a monthly magazine and dozens of garage kits on a modeling community that was growing out of normal plastic model kits.
Long before Gunsmith Cats or Gall Force, Kenichi Sonoda got his break thanks to doujin he published with a group named Comic Circle VTOL.
Fans have spent years lamenting the lack of a decent sequel to Bubblegum Crisis. The AD Police Files OVA series is often touted as the best of the sequels and reboots out there, but it’s the manga that inspired the OVA that’s really worth checking out.
From the pages of the Bubblegum Crisis Completed File No. 5, a brief interview with series creator Toshimichi Suzuki on the hard economics of OVAs and jidaigeki influences.
One of Kenichi Sonoda’s first professional gigs was designing characters for garage kits.
In which I ramble on for two hours about you-know-what.