A cult classic in the schlock n’ gore OVA genre, Genocyber took an unlikely road from pitch to production.
Category: Features
“Could we do another Macross?”- A curated look at Noboru Ishiguro’s Interview with AnimEigo
Hidden within AnimEigo’s beloved Super Dimension Fortress Macross DVD Boxset lies a candid conversation with series director Noboru Ishiguro. However, the stories shared by (and of) the late director leave a greater impression than just the simple tale of a hidden commentary.
Whits End: Mamoru Nagano’s Unused ZZ Gundam Design
In the midst of the rushed pre-production process on the third Gundam TV series a last-minute design change created one of the more interesting production footnotes in Gundam history.
Stream•Base: Riding the Gunpla Boom in the Early Days of Gundam Model Mania
The gunpla boom of the early ’80s saw an explosion of interest in mecha modeling and provided unprecedented opportunities for a group of model enthusiasts that dubbed themselves “Stream•Base.”
Never Let a Good Idea Die: ARTMIC’s History of Recycled Ideas and Design
Drawing from their experience in TV anime, 3D photo stories, and other media, ARTMIC created rich OVAs that, more often than not, shared familiar thematic elements along with a consistently recognizable visual style.
Doujin, Cosplay, Garage Kits and Dinosaurs: A Look at Do-Pe Magazine
There was no shortage of anime magazines in the 1980s, but what about all those other things the maniacs cared about? Cosplay, garage kits, doujin, dinosaurs… Do-Pe covered an eclectic array of otaku interests over its brief three-year run.
Kamen Rider: Behind the Mask
Most people don’t know that Kamen Rider’s inception was the result of a long and troubled pre-production stage; months of shifting ideas marred by disputes over budgetary constraints and industry politics. This is the origin of Kamen Rider seldom spoken of, the secrets from behind the scenes and behind the mask.
In Pursuit of the Powered Suit: The Class of ‘83
Parallel to the development of giant robot anime in the 1970s, Studio Nue’s revolutionary renderings of Robert A. Heinlein’s Starship Troopers powered suit changed the game, and in turn lead to smaller, more “realistic” powered suits appearing in the pages of manga weeklies and hobby magazines.
Max-imum Ma.K Technique: The Chromatic Painting Style of Max Watanabe
kvltworx returns with another painting tutorial, this time diving into the unique lacquer hand brush techniques of master modeler Max Watanabe.
The Sony HiTBiT F1 Game Robot: When Gall Force Sold Computers
Sony’s marketing campaigns for their MSX computers involved everyone from Syd Mead to Seiko Matsuda, but their most memorable bit of advertising may have been a print ad featuring a scratch-built powered suit to advertise their HiTBiT HB-F1 MSX2 machine.